Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts

Wednesday, July 2, 2025

Announcement: "Falling" will be in ANALOG Science Fiction

What a great pleasure to be able to report that Falling will be appearing in ANALOG Science Fiction, probably some time in 2026. 

This one was a lot of fun to write, and for the first time I was able to "go play in the Jovian system," with  FIFO worker on the assignment to end them all. Fly in, fly out work is one thing ... but when the flight to and from the job is a year old, it's a life-changer. In Falling, the central character is out there for the best and worst of all reasons: money. Without it, everything falls apart, yet the quest to earn it is not conducive to family life. And yes, our hero is left a partner and child back on Earth. What's a mother to do?

This story had been in my mind in one form or another for some time, but I'd usually pictured it as taking place on Mars. The thing is that I've written so many stories set on Mars that -- 1) I didn't want to identify myself as "that writer who only writes about Mars," not to mention -- 2) I felt as if I needed a challenge. Get out of the familiar environment (which is almost a witticism) of Mars and make a foray into the Badlands. And they don't come much "badder" than Jupiter. So...

Much research later, Falling found itself completely restructured. The central character changed from being a detective assigned by the department on Earth to investigate a murder in the industrial south of our neighbouring world to being an engineer working with the heaviest heavy industry imaginable. And the stage on which the story plays out shifted from the aforesaid Martian industrial wasteland to the upper atmosphere of a giant world that really, seriously, wants to kill you. Result: a story with which I was extremely happy. 

And the cherry on the cream is that this one will be appearing in ANALOG Science Fiction in a year or so. It's always a thrill!

Next: back to the very serious job of editing, with two major projects ahead of me for Mike Adamson, and after both books are delivered, he and I will be collaborating on a novel. Speaking of Mike, the last week has been a blizzard of hard but rewarding work as we revamped and expanded his website. It's well worth a look ... a writing site that is a visual feast of artwork. Check it out on the link attached to his name there.

Wednesday, April 9, 2025

Announcement: Islands Of the Mind has been published

 

It's my great pleasure to announce that "Islands Of the Mind has recently appeared in Way of Worlds, a science fiction anthology from Underdog Press.

Rather than writing at length about my own piece (which is about terraformers on an alien world being remade for humans), let me just quote the blurb from the anthology's page and include the link:

Venture into the uncharted territories of imagination. Within these pages, you’ll encounter worlds both familiar and utterly alien, where the boundaries of reality blur and the human spirit is tested against extraordinary circumstances.

A master of disguise finds her mission twisted by unexpected alliances, uncovering secrets that could shatter the very foundations of her world...

In the desolate aftermath of a devastating war, a lone survivor confronts not only the ghosts of the past but also an enigmatic visitor from a long-vanished enemy...

And in a realm where technology and magic intertwine, a desperate search for a lost artifact leads to a confrontation with a power that could reshape the very fabric of reality...

Within these pages, find these tales and more: a journey through the fractured memories of a dying starship captain; a tense standoff between scavengers and the guardians of a forgotten city; and a poignant exploration of artificial intelligence grappling with the complexities of human emotion.

From the depths of space to the ruins of Earth, from the ethereal planes of magic to the intricate circuits of artificial minds, these stories explore the resilience of the human heart, the enduring power of hope, and the infinite possibilities that lie beyond the known. Prepare to be transported, challenged, and inspired by these tales of wonder and discovery.

Find the Way of Worlds here, at Underdog Press ... and thank you for reading!

Thursday, September 19, 2024

Nothing beats holding a contributor's copy in your hand!

 

One of life's greatest pleasures is receiving the contributor's copy of a magazine you're appearing in. This is the third time I've been in ANALOG, and the thrill is huge. I'm hoping to be there again, if not late next year (probably won't happen, due to the gapping between appearances -- I think it's sixteen months, so 2024 will expire before I "get my turn," which is absolutely fair) then in 2026. I have a longer story to pitch this time, and am unsure, as yet, if it's even appropriate to show the editors something that's better than twice as long as Firegrounds. We shall see. 

Work on my new novel, The Gift of Prometheus, ploughs ahead apace, and it's looking good. I have one or two smaller literary jobs to tidy up before I start writing, and then -- time to stop talking about this and, as the slogan goes, "just do it."

Saturday, September 14, 2024

Announcement: Islands of the Mind will be in THE WAY OF WORLDS

a mock-up cover lashed up by me, for my story only:
has nothing to do with the actual anthology --
used here merely to illustrate this blog post

It's official. Islands of the Mind has just gone to contract and will appear in the anthology The Way of Worlds. This one is a piece about terraforming in a distant future where habitable, Earthlike worlds are difficult to find yet critical to human survival because our population never ceased to increase. An explorer fleet has discovered a glorious ocean planet with a sweet atmosphere and friendly gravity, right in the "Goldilocks zone" -- all this world needs is landmasses. The terraformer crew arrives for business and sets about the task of creating those landmasses. And then -- and then -- ah! That would be telling. I'll blog again, with a link when The Way of Worlds comes out.

Terraforming is a subject that interests me deeply. I actually do believe that our population will continue to grow. If I'm right, and it does, humanity has only one way to go: outwards. How long is it since anyone mentioned the term "population explosion," in any but a historical context? It's been decades. Now, countries like China (population 1.412 billon as I write this) are actually passing over the top of the population growth curve. Their numbers are about to fall .. result? Not relief, that the existential dread we all felt at the population explosion if over. Oh, no. Its's all bags of panic and blue lights. Why? Because constant population growth is the only way we (yet) know to power an economy that is also maintains an endless, infinite trajectory of growth.

Far be it from me to criticize the mechanisms of capitalism: I also would like to be floating away on oceans of cash, and buy a castle in Ireland. But at the same time, in the interests of powering economic growth essentially forever, we're certainly going to vastly overload this planet. In fact, specialists say we did that long ago. It's been estimated that around two billion people is the maximum this world can sustain indefinitely. So, the predictable outcome of economic growth without surcease is a dying, or even dead, planet, with a population of ridiculous size packed into artificial environments constructed and maintained by technology in a future where "let technology do the heavy lifting" will have become both our survival mantra and our curse.  Inevitably we'll see a mass return to the colonial spirit of old...

Go west, young man. Or south, and anywhere one can find open spaces, free territory, the opportunity to succeed for ordinary folks who were born outside the .01% of the community who control 99.99% of all wealth and resources. Well, we've already entirely run out of compass points. Every square centimetre of Earth is owned, and fenced ... there is nowhere go up but up, and out.

With physics coming right around to supporting the case for faster-than-light starships, it's becoming more appropriate to look at other worlds -- and I don't mean Mars, though Mars will surely be a steppingstone along the way. I've written many stories about the Martian colonial years, and the violent "troubles" between Earth and Mars (The Way Back; Collateral Damage; Happy Hour, all published to date, with several more still waiting for homes -- Dust Gets in Your Eyes, Home Soil, and so forth). I'm working on the first draft of a new novel, as mentioned in my last post. The Gift of Prometheus....

Now, Gift is about human endeavour and ambition crashing headfirst into human ethics and dreams, in the years when the great Einsteinian starships find the way to the true FTL ships that will eventually, almost inevitably, lead us to the future you glimpse in Islands of the Mind. I'll blog about the writing process as it chugs along. Gift is the first full-on novel I've written since beginning this blog, which shows how long, rotten, and tough to beat the writer's block has been. It hit me broadside the second time we all got Covid. The third bout of Covid turned into post viral syndrome and worsened it. Now I've begun the fightback, and The Gift of Prometheus looks like a great place to begin.

The novel is very possibly set in the same universal canon as my Martian stories and Islands of the Mind. Let me think about this. But I'm liking the idea.

Saturday, August 10, 2024

Firegrounds has been published in ANALOG for September - October 2024

 

It's a great pleasure to report that the September/October issue of ANALOG is available ... and I'm in it. My story is Firegrounds, an enormous idea condensed into a small space, the theme of which is wildfire prevention in a world that is becoming ever hotter, drier and stormier. I had a blast writing the story, and I hope it will not merely be enjoyed, but might also provide some food for thought. 

The link I can provide here -- at this time -- is to the print magazine's order page. Remember that after October 15th, this link will not take you to this issue. ANALOG's website carries only ordering information for the current issue plus subscriptions. In the future, if you want to track down this issue specifically, you'll need to Google it, specifying Sept-Oct 2024. 

Thursday, March 28, 2024

Celebrating the beginning of something wonderful!

This is the time to mark the beginning of something: just as it gets underway. The well-known Sherlock Holmes author, Mike Adamson, and I have been talking about collaborating for some time, and in the last ten days we've made a strong start with two stories that are out on submission at this time. 

Of course, I have the highest hopes for those stories -- to begin with, I definitely believe that Mike and I do our best work when we work together, and it'll be interesting to see how this shakes down. (I designed, built and illustrated his website there, and I perform most of his editing.)

There's nothing firm to report at this point, sales-wise, but everything has to start somewhere. The acorn syndrome. The two stories we've produced recently are a horror piece and a climate change SF tale. 

If anything comes of them, I'll return to this post with an update, and if not -- there are so many more stories to be told, and I believe we have a promising future as cowriters. With no skerrick of doubt, something will bear fruit.

At the very least, this is going to be interesting. And there is a dreadful understatement! 

In other news, my shocking case of writer's block shows early signs of ending at last. Hurrying it along is the acquisition of a new tool (or toy if you prefer). We got a fantastic deal on powerful 10" tablet with its own Bluetooth keyboard, and I couldn't resist. If this doesn't restore my desire to actually write, rather than blogging and editing, nothing will! The stories are right there, burbling in my imagination, about one millimetre under the surface; they just haven't been able to get out in ... oh, a long time. Too long, in fact. Time to change that.

Wednesday, January 24, 2024

Announcement: Firegrounds will be published in ANALOG Science Fiction

The best possible news today ... Firegrounds will be appearing in ANALOG Science Fiction, probably early in 2025. This is my third outing with ANALOG, and I'm absolutely thrilled.

The story concerns a woman working for the RFS, or Regional Fire Service in South Australia's desiccated, ravaged mid-north, maybe half a century from now. Climate Change has happened. Past tense. It's not a question of stopping it ... now, survival is all about preventing fires, and this story examines ways and means of doing that, utilizing the cutting-edge Ai and robotics of the 2070s...

All of which falls apart somewhat when you've lost your husband to this job, and your teenage son is going so far wrong, you're haunted by the worst of all intuitions about him and his friends, some of whom are already incarcerated, others at liberty by a thread. 

Firegrounds is a story that's very close to my heart. Somewhere far, far down the track, I think there's a full novel to be derived from the foundations built by this little piece. In this incarnation, it's only about 4,000 words, but a lot of world building went into it, and one day ... one day ... So I took out half an hour and lashed up a cover to illustrate the story, and help to celebrate the sweet process of the contract signing. 

Watch this space, and when the issue is published, I'll blog about Firegrounds again.

Monday, January 22, 2024

Announcement: Root and Branch appears for the second time, ebook and paperback

What a great pleasure to announce that  Root and Branch is appearing in reprint! This is a slightly abridged version of the original text, but the cuts are by no means major. They don't detract from the story in any way; it's mostly a swatch of backstory and characterisation here and there that's been pruned away to make a large story fit into a smaller space.

The Sunshine Superhighway: Solar Sailings anthology is available via Amazon, from Jay Henge, in both Kindle and paperback editions. 

The story concerns the troubles faced by a living city who has contracted a disease. The city grew, and is still growing ... she's home to a million souls who have nowhere else to go. And she's dying. The race is on to find out why, and find a cure, but it appears there's no hope. Until the sky gypsies arrive with their living, flying showboat, Capricornia. Meet the charismatic and irresistible magician and stage manager of the greatest show in the sky who, quite by chance, holds out a skerrick of hope for the city of Waratah. 

Find Sunshine Superhighway: Solar Sailings at Amazon right here, and ... good reading!




Thursday, May 18, 2023

Announcement: Collateral Damage has been podcast by Analog!

 


News! ANALOG Science Fiction has podcast my story in the May/June issue -- "Collateral Damage." The podcast is online right now, and you can find it here ... happy listening!


(This artwork here is not from the magazine. I've put this together myself, as a "flag-waver," or an "attention grabber," but this *is* the character from "Collateral Damage," as she appears in one of the other stories, which you can find elsewhere. It's an Iray render from late '21, and it fits the story to a T!)

Friday, April 21, 2023

Enigmata ... "The Shortest Story Ever Told"

 



Enigmata

A princess from out of the aether ―
Not Martian, Venusian, no, neither 
Landed, hapless, on Earth
Where she promptly gave birth
To offspring that could have been either,
            But 
From the heavens there issued a roar,
So loud, metalheads shrieked, "Please, no more!"
While Her Highness's child
Merely giggled and smiled
(Though he threw his stewed prunes on the floor)
            Because 
This princess had pushed the wrong toggle,
In a mishap that makes the mind boggle 
Came, in error, to Earth,
Quite compelled to give birth...
(Yes. Geneticists do curse and goggle.)
            Then 
Down from the Vaults of Forever,
In maelstroms of Physics, soooo clever,
The Great Roar (with vast joy)
Beamed up princess and boy,
And, when asked, replied, "We'll return ... never!"
            Yet 
Indeed, to this day (this part's great)
There's a cult with a somewhat strange trait:
They worship loud noise,
Adore odd-looking boys...
But they're doomed to a rather long wait!

Wednesday, March 8, 2023

Announcement: Collateral Damage -- and A Glamour of Toads!

 

Good news! A Glamour of Toads has been optioned by Water Dragon Publishing, for their mid-year anthology, Dragon Gems. Look for it around summer, or end-of-summer -- which is winter or early spring down under, of course. "Toads" is a mediaeval fantasy, juuuust a little bit on the dark side, about magic and mortal fear, and a lot more. (The artwork here wasn't actually done for the story, but I'm about to post an announcement to my writing blog, and I thought, "Hey, that almost fits it to a tee, I just need to do a bit of repainting...!") I'll let you know when the anthology is published ... 

Also,  Collateral Damage is in the March issue of ANALOG Science Fiction. If it isn't on the magazine racks now, it soon will be. That's another story set on Mars, in the same world-building project as The Way Back, which was in the February ANALOG last year, and Happy Hour, which was in Mythic #17. This is wonderful for me ... it gives me some real inspiration to write more in this universe. I've done a couple of others -- Welcome to Mars, (which is archived here), Home Soil (which is waiting for a home), Dust Gets in Your Eyes (likewise), and so forth. There's enough to get me thinking about an anthology...

Lastly, the fantasy, The Gates of Petheris, has been available from Four Star Stories for some time -- this came out in my hiatus, when I vanished off social media for about four months and didn't post anywhere, about anything. I'll be archiving it very soon, with a new suite of art.  

Tuesday, January 25, 2022

Essay: A Milestone


There's a first time for everything, and although I've been published several times, and also at professional level, appearing in a very major magazine with full-on distribution is -- to me! -- an achievement, and a thrill. The contributor's copies of ANALOG Jan/Feb 2022 arrived yesterday, and how sweet it was to have it in my hand and chart this moment. The first step on a road which, I hope, will lead eventually to me marking a day, when I'm cradling a novel in both hands and making another milestone!

I did report the date when ANALOG accepted the story (before the launch of this blog, so it was marked on my personal blog, here on Dec 20, 2020); and  also posted my news when the issue was released a couple of weeks ago (here) -- but this is quite different. Actually having the magazine in my hands makes it ... real. 

It's also an inspiration to me, to be creative, keep driving forward. I do have stories to tell, and if one is completely honest, it can be a lot of fun telling them. I'd also like to write about writing, and in coming weeks and months I'll indulge myself here; but not at the moment when, after an absence of months, the muse has finally deigned to whisper into my ear. I'm hoping to complete a third story in as many weeks.

Updating this a little while later -- let's call that four stories in four weeks, and am about to start another! Eden Can Wait worked out well, though it came in at about twice the length I'd hoped for (about 10k, which will certainly make it harder to sell). However, A Marriage of Inconvenience came in at 3.5k, as did Dust Gets in Your Eyes, and from what I've come to understand about short story writing, this is close to the perfect length ... at least as far as editors understand it! 

Writers might have a different view. For myself, I find it very much more difficult writing a coherent short story than writing a novel. This might sound odd, given that there's twenty times more work (no exaggeration) in a novel than in a short story, but trying to cut a story to fit into a 2,000 - 10,000 word window is ... agony. It's pure torture, which simply means I'm not a natural short story writer. Right. 

Still, one perseveres -- and its also true that some story ideas will actually fall apart if they're treated at greater length. In fact, the story I'm about to write this afternoon is one of these ... so, time to get busy!

Thursday, January 13, 2022

Announcement: The Way Back is published in ANALOG Jan - Feb 2022

 

Brilliant news: The Way Back has been published  in the January - February 2022 issue of ANALOG. This is a great thrill for me, since I've been reading this magazine for decades, and it's the SF market leader.

Here's the link to the current issue ... please note that after February 2022, this link won't work: it's specifically for the current issue. Newsstand magazines really are "ephemera;" when they're off the stands, no longer current, one falls back on used copies, which change hands on eBay, Amazon and so forth. And for those, I can't provide a link. Alas, the ANALOG site has no store where you can buy specific back issues. They sell subscriptions, not copies, and the same is true of Amazon. If you're ordering before the end of February, 2022, however, that sub should include the issue in which The Way Back appears. 

Get this issue on Amazon

Sunday, January 2, 2022

Review: Sailing to Byzantium

Still enjoying some of Science Fiction's classics, I'm re-reading Robert Silverberg's award winner, and enjoying it again, after all these years, though it raises some questions, at least in my mind...

Some novellas deserve to be full novels, and Sailing to Byzantium is one of them. Robert Silverberg wrote this cross-genre jewel -- a mix of SF, fantasy, time travel, romance and mystery -- in 1984 and, deservedly, it won the Nebula Award. 

In fact, the real mystery is why it hasn’t been filmed long before now, because it has the makings of a gloriously visual movie, especially in this age of CG effects, when the spectacular visuals (laid out in a narrative that must have been mind-bending in its day) can be brought to life in 3D.

The other mystery, equally confounding,  is why Silverberg took an immense story that touches on so many subjects, and invested only a novella’s length in it. The plot is simple enough, to be sure; but the world he explores in a scant 40k words remains arresting almost forty years since the Hugo and Nebula were awarded. A novella, for this story? One wonders ... why?!

In the fiftieth century, the world as we know it is gone (no surprise there), and the homogenized descendants of humanity are a comparative handful of functional immortals: physically perfect, they are masters of a magical technology which enables them to live as what one can only term 
eternal tourists, forever traveling from one fantastic city to another. 

The rub is this: every city is a recreation of one of history’s great metropolises, raised from dust by legions of machines, permitted to exist for a short time then demolished, no doubt to be cannibalized for the materials to build another. 

All the great cities of history are being recreated, five at a time (the limit is firmly imposed, no reason given, but one can hypothesize about the availability of materials, or the machinery that makes it all go). And the immortal citizens of the fiftieth century simply travel, party, enjoy, socialize, and generally have a great time among the grandeur and the teeming populations of ‘temporaries,’ who appear to be androids, possibly even hard-light holograms, all of them whisked into existence to complete the illusion of Alexandria, or Chang-An, or Constantinople itself.

Only a tiny percentage of the human population don’t enjoy the eternal lifestyle. One in a thousand, or perhaps ten thousand, still grow old. After an extended youth, when the aging comes upon them, they age rapidly. Such is Gioia, the lovely young thing with whom Charles Phillips falls in love. And Charles himself is the other, and even rarer, anomaly. 

Hes a ‘visitor’ in the future: synthetic body and mind, machine-designed and built to bring the past to vibrant life for the entertainment (and perhaps the education) of the citizens, who -- by our standards -- often seem callow, and occasionally even moronic.

Charles isn’t the only visitor, but there’s barely a handful like him, constructs drawn from whatever century. Being synthetic, he’s a misfit, greater than the ‘temporaries’ but lesser than the citizens. Gioia is drawn to him as like is drawn to like: she also is a misfit, doomed to age with an incurable genetic condition. 

When the rapid aging begins she flees, and as Charles literally pursues her around the world, city to city, he discovers what he is. Not a twentieth century man at all; not even a naturally-born human … something more, he decides, not less. Being synthetic, he's as timeless as the physically perfect (and intellectually somewhat dense) citizens; but what of Gioia, who is aging alarmingly. What can be done for her, amid this kaleidoscope of incredible technology?

The prose is stylish and rich and the world building tantalizing. If Sailing to Byzantium were double or triple the length, properly fleshed out and with the panoply of amazing concepts fully explored, it would make a novel today’s reader would deem awesome. At 40k words, it seems oddly abbreviated, in places thin to the point of anorexia. Silverberg has remarked on how the novella is a format he likes a great deal, and he clearly had a fine time here. But the material demanded, and deserved more.

Nebula and Hugo Awards notwithstanding, and as much as I adore Robert Silverberg, I want to give Sailing four stars rather than five, because it surely needed more growth, more investment, just more, to work truly brilliantly. It might have read better in 1984. Current readers -- in this age of hundred-episode sagas on tv and book series running many thousands of pages -- are seldom satisfied when thematic material is underdone. Sailing has a ‘rare’ quality, perfect on the outside but a tad too pink in the middle to suit all tastes. Which isn’t to say I don’t love this story -- I do! But my imagination runs away on flights of creative fantasy, filling in the blanks and building the sumptuous, thick novel I wish Robert Silverberg has written.

Wednesday, December 8, 2021

Review: Starman Jones -- Robert Heinlein's classic YA


It was my great pleasure to read -- in paperback, right off our home shelves! -- Starman Jones, for the first time in about (ahem) forty years. It's unusual to review an old book, but the truth is, some things are so old, they're new again, if only because they've been forgotten. So here goes!

The book itself is a piece of history; a glimpse into the mindset of a bygone age which was flexing its muscles through the exercise of looking forward into the starship era. The novel is as much a time machine, or time capsule, as any film about 1940 made in 1940 (rather than a film set in that era made by people from a different world. Us).

I first read Starman Jones in the early 1970s. It was a good read then, and it's a good read now. Robert Heinlein wrote it in 1953 for a largely YA readership, but the narrative is rich enough to be rewarding to adult readers at the same time as not being too heavy for younger chilluns. A well-written story often stands the test of time, even if not quite in the way the author might have imagined...

Heinlein might possibly have written the ultimate Steampunk without ever knowing it.

Think about this: in a world where electro-mechanical “computers” were the cutting edge of technology, he had to figure a way to navigate a starship. 

Not to power the ship, mind you, because there was nothing to be done, way back when, other than call the engines “the so-and-so drive,” and then get on with the story. Faster than light travel is still a mystery 60 years later; it'll probably remain a mystery in another 60 years. But –

How to navigate a starship from planet to planet via a series of natural space-warps caused by the gravity fields of nearby stars … and how to do this without recourse to computers as we understand them. Now, that's the question. And a very pretty pickle it is. Arthur C. Clark managed to get a spacecraft home from the Saturn (or was it Jupiter??) system with abacus calculation, but piloting a ship between stars, at optic velocity is a whole 'nother beast. 

Ten years after Heinlein devised a system of calculus performed by a team of mathematicians using telescopic sightings of doppler-shifted stars, from the astrodome of a ship moving almost at the speed of light, the best computer in the world was the size of a house and had to be “programmed” by a team of people who literally set innumerable dipswitches before the “Go!” button was pushed. The “computer” made the calculation all of a piece, in an instant; the answer to the calculation flashed up in binary (light on, light off) which was translated back into numbers.

So Heinlein devised a system of calculus using the living brains of a team of humans who are fed data by technicians manning telescopes and stereo cameras. It's actually brilliant. The fact it's utterly redundant now, in the age of computers, is irrelevant. By 1965, just 12 years after Heinlein nutted out a computerless solution, Star Trek had already left behind the whole problem and driven on. Today, many phones have the processor power to handle the math for these calculations; but that's not the point.

The point is, Heinlein devised a way to navigate a starship in 1953 … and it would probably have worked just fine.

Here's how Wikipedia defines Steampunk:

Steampunk is a subgenre of science fiction or science fantasy that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery.”

The tech, such as it is, in Starman Jones was almost certainly inspired by the electro-mechanical genius behind battleship gun sighting “computers in the 1940s. It's very, very close to the spirit of Steampunk, though the starship Asgard surely isn't powered by steam!

As for the story itself: young boy runs away from home to see if he can follow his uncle into the Astrogators Guild, winds up having to join the service under false pretenses and, after disaster strikes the ship, quite literally saves the day due to his eidetic memory. It's a good, tight plot and once I'd have said it was ideally suited to younger readers and especially boys around ten … so long as today's lads can set aside their pooh-poohing of computerless astrogation, when they know for a fact how the Enterprise is navigated. Or the Nostromo. Can ten-year-olds do that? Well … probably not.

Pop over to Goodreads and you'll see many readers/reviewers giving the novel three stars; not for being a poor book, but for using outdated tech. This is actually a weak reason to mark down a book so old, it's a piece of history itself. A better reason would be to point up the seeming sexism with which the female characters are written … but then you must remind yourself that in a 1953 YA book aimed at boys, it's a wonder there were any female characters at all, much less a properly developed one who's a social rebel and turns out to have (!) a brain --

And one point made me, in 2016, curiously uncomfortable: the utter revulsion with which the central characters view alien species. Today, post-Avatar and so on, we relish the difference between species. The Ood leap to mind: so ugly and so heart-wrenchingly beautiful, at one time. It was quite astonishing to read of characters being revolted by alien forms, as recently as 1954; but … it's sixty years. People change; the zeitgeist changes; it should; it must.

So who'll get the most from Starman Jones today? Kids, for whom it was written? Unlikely. Try fans of Steampunk who're fascinated by the meld of outdated, outmoded tech and the age of starships.


For myself, I enjoyed it a lot, at the same time remembering to make the allowances one must, and wouldn't hesitate to recommend it; unless you think your kid will line the budgie cage with it in disgust when he reaches the Steampunk navigation part. Or perhaps you worry he'll get hopelessly confused and wonder if it's somehow impossible to use computers on starships. But just a second, Mister Spock said …!  


Friday, December 3, 2021

Welcome to Mars

Sometimes I wonder why I ever came to Mars, much less to the ‘Redsands’. It’s not
quite the armpit of the universe -- a place called Rochester, out in the Belt, takes that cake; but it’s close. After two weeks of thousand-kay-per-hour winds blasting megatons of red sand into what passes for air here, you ask yourself the inevitable question. Why did I ever come to Mars?

Then, of course, I remember.

I was nine years old and didn’t have much choice. Any choice. The parents made the decision to apply for ‘the program’ and, being brilliant engineers, both under 35 with a kid who’d be into double figures before long, they were approved. Young Patsy turned six in the months while they toiled through the application process, and had turned eight when they received the official approval notice. My ninth birthday had just slipped into memory when we found ourselves assigned to Marsport.

That’s what we called it, way back when. You didn’t migrate, you weren’t relocated; you were assigned. As if taking a one-way ticket to Mars was just a job. I guess, to some people it might actually be a job. Certainly, some manage to rake together the cash for tickets back ‘home.’ Though why you’d actually want to return to Earth beats hell out of me.

Mars might be cold and sandy, but with our tiny population there’s space to move and almost unlimited resources. Just as importantly, we live in a place and time when enterprise is applauded. Earth is ... Earth.

If Mars is so damned cold and dry, you need an environment suit to step outside, Earth is so damned hot, humid, toxic, you need a cool suit and breather mask before you open a door. If Mars is sandy, windy and irradiated, Earth is wet, stormy and polluted. They only perks they can boast about that we can’t are air pressure, full gravity and natural immunity to solar radiation. But they pay a high: twelve billion people fighting for the high ground, while Mars is...

We’re big and wide open. You can still take a rover into the wilds of the southern hemisphere, find a parcel of land, stake your claim, set up a homestead. The northern hemisphere is fifty years settled, but half the south remains up for grabs, the way our ancestors headed for Australia and New Zealand.

My multiple-times-great-grandpa went to Australia, with no more choice than me coming to Mars. Patsy: Shanghaied at age nine. Paddy Joe Doyle: transported at 19 for the crime of stealing a whopping two (count ’em, two) loaves of bread. The fact he was starving, with three kid sisters and a sick ma at home in Ballymena counted for nada. Paddy Joe could’ve been lynched ... the English detested the Irish in those days.

Fast forward three short centuries and here I am. The family black sheep, Dublin Irish Doyle on one side, Gdansk Polish Pulaski on the other, transported -- ’scuse me, assigned -- to the region we call the Redsands (because on a very red world they’re exceptionally red), proud owner and proprietor of the only Irish pub on the whole planet, as far as we know.

When we bought it as a going concern, I wanted to call it ‘Paddy Joe’s’, but my partner (in business as in life) argued against changing the existing name. Sam’s usually right. Commuters from Marsport to Olympia already knew the dump as The Arcadians Hotel. “If it ain’t broke, Patsy,” he said, “don’t be fixing it.” I usually respect the Chicago-Italian wisdom of Sam Giannini, so --

The Arcadians Hotel it remains, but it wasn't a dump for long. Gone is the chrome and cyber-trash, unspeakable lite beer and even worse flash-food. We replaced the lot with fake wood and knock-off antiques, every widget realistic enough to fool the eye if not the fingertips. Genuine Guinness brewed in Marsport, and the best Italian food Sam’s mama knew how to make while the family bunked in the construction crew dorms in Olympia.

People get nostalgic for olden days they’re generations too young to remember. Chances are, if you really remember the past, you wouldn’t be sentimental. Mars’s first decades were crud, but memory wears rose-tinted glasses, thick as beer bottles. Luckily, my family’s assignment came years after the civilization of the northern hemisphere. Happily, we missed the tough times of living in bunkers, working in armor, wearing rad counters like jewelry. Adolescence was a tough enough ride without the fun and games of the ‘pioneer years.’

I think of The Arcadians as Paddy Joe’s, but I’m sure it ought to be called The Belter’s Return. So many of our locals and regulars have dribbled back from the mines, veterans of the asteroid belt, richer or poorer, like veterans of the Klondike and Yukon.

If you were assigned to Mars as a kid (maybe kicking and screaming, part of a privileged family, leaving behind everything) and Earthy offers zilch to go back to ... where can you turn your eyes but up, out? Few folks who head for the minefields in the belt to ‘make their fortune’ succeed. Some survive by sheer luck; a few pay handsomely for ambition, and land in places like the charming community of Arcadia, in the Redsands, freight-drop code M47 A09.

There’s worse places to live. I’ve seen a few. Arcadia’s all right. Marsport is an hour flight north, the capital, Olympia, ninety minutes in a more easterly direction. We’re right under the air traffic lanes, so we get plenty of passing trade. Arcadia’s a thriving little community with more than a hundred homesteads, according to the last census. The steaders are good people. I’d say salt of the Earth, if this were Earth --

But it’s Mars. It’s different. And we like it the way it is. We’ll fight tooth and nail to keep it free, open ... ours. If the crap on NewsNet is anything to go by, we might have to do just that. Politics never changes, no matter where you find yourself. If there’s any such thing as a universal constant, it’s this: politicians are at least two rungs lower on the evolutionary ladder than the amoeba.

And on that note, I must go start the clam chowder and make a vat of mango punch. A private party is coming in for an anniversary bash tonight. The house'll be hopping by seven, enough noise out of the sound system to shake the green plastic shamrock right off the plastic walnut ceiling beams.

Yet sometimes it all comes together, and the reasons for being in the Redsands are the best. Nothing beats being in the right place at the right time, when you can change the life of another human soul ― and in this part of Mars, the small pleasure of being the guardian angel comes around all too frequently. Anyone who lives here has some stories to tell!

Saturday, October 30, 2021

Vector

 


There's something alive in the litterbox.

Bugsie wouldn't go near it. I noticed the problem when he started using a plant pot instead, digging around where he’s likely to uproot my old ficus. The first time I scolded and he gave me a steel-eyed glare. Second time, I took him to the sandbox and said, “Young man, you know the drill, you’ve known it for years now!” He began to sing, and staked out the box from as far away as he could get and still see it. He sat behind the couch all night, with a skinny view into the laundry area, and when I went to clean the box this morning--I saw it too.

Something moved.

It brushed my hand, raised a tiny red pimple before burying itself in the litter, fast--I backed off just as fast. The litter's a new brand. The bag calls it ‘volcanic ash from somewhere in the Pacific.’ The sales pitch says it's eco-friendly--and it's also half the price. The company's kosher, but who actually knows where they source the litter?

Heart pounding, I got on the laptop and googled for info. This new super-absorbant, clumping litter is shipped from islands in the Ring of Fire. No problem there. I googled again, “volcanic kitty litter parasite” and held my breath. Several million results came up, and I started scanning forums.

Something moving in the box … like a bug, grows fast when it gets wet … dog died … mom got sick …

Dry mouthed I thought, this has to be a hoax! But the stories were everywhere on the Net, thousands of pages. The further I looked, the more I saw, and all posting dates fell inside the last ten days.

One site looked official--government, or at least on a level with Mayo Clinic and the fire department. I gulped down the advice: “Do not touch the box. Use a broom, push it into a secure room, close the door and call this number.”

I scribbled it down. Bugsie still had the box staked out; he hadn't slept all night and gazed at me, wide eyed. When I approached the box he spat, hissed, started to sing again, so I shooed him away and followed instructions.

With exaggerated caution, I shoved the box into bathroom, slammed the door and made a grab for the phone.

Naturally, a computer answered: “All operators are busy. Leave your name and address. Under no circumstances touch the sandbox. An operator will return your call as soon as possible.”

Dust from the box had gotten into my throat. I coughed and frowned at the closed door before lassoing Bugsy. We retreated to the computer, and I googled yet again.

More stories, getting wilder as I read. New kitty litter … Solomon Islands … weird lights in the sky last June … my neighbor doesn't own a cat but her daughter does, she got sick when the girl came over to visit, and they both died within the week ... we thought Jim’d caught 'flu—you know, the headache and cough--then his hand swelled up … these tiny bugs jumped right out of Maureen's leg and vanished into the dust bunnies, and the next day her leg had to be amputated …

I called that number again and the computer began, “All operators are--”

Bugsy’s off-key singing at the bathroom door helped me make the decision. I hauled the cat carrier out of the closet, stuffed Bugsy inside and grabbed my bag on the way out. No way was I staying home with that.

Besides, I needed fresh air for this lousy headache, something to dispel the aches and pains that had started to niggle. Dad always has a bottle of Jack to hand. A shot or two would stop this damn' litter-dust cough.

As the door locked behind me I left a message on his machine: “Dad, I'm coming over, be there in an hour. I don’t feel so good, and I can't stay here, there's … damnit, there's something alive in the litterbox!”